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Re: [TANGO-L] Changing the embrace
- To: TANGO-L@MITVMA.MIT.EDU
- Subject: Re: [TANGO-L] Changing the embrace
- From: Lucia <curvasreales@YAHOO.COM.AR>
- Date: Fri, 14 Apr 2006 12:34:35 +0000
- Comments: To: Igor Polk <ipolk@VIRTUAR.COM>
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- In-reply-to: <BLELKKKFMJCHKBCHPNDJEELAFIAA.ipolk@virtuar.com>
- Reply-to: Lucia <curvasreales@YAHOO.COM.AR>
- Sender: Discussion of Any Aspect of the Argentine Tango <TANGO-L@MITVMA.MIT.EDU>
Igor Polk <ipolk@VIRTUAR.COM> escribis: And why, Trini, Mike has to feel so soft and sweet, Tom so dynamic all the
time?
Hi Igor,
Athough in a previous post I defined !style! as a matter of personal expression adapted to the characteristics of the body, I didn't mention the most important ingredient: the personality, the character of the dancer. Someone is soft, and his/her style is soft, no matter if she/he dances a spirited or a langurous dance. Viceversa for a hard character - even a soft dance will feel hard.
Style adapts to the musical genre, to the melody line and rhythm, hence you have the great difference between how one dances the Tango, Milonga or Vals, but once you have it it grows on you, becomes a physical trait like your gait..
...and you are proud of of your own !style!, it becomes a differentiator and all the naives gawk and wonder at you and interview you and discuss you on web forums ad nauseam...and invite you to their homes and table!!!!
Lucia ;->
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