[TANGO-L] Changing the embrace, styles dynamics of the dance.

[Sergio Vandekier <sergiovandekier990@HOTMAIL.COM>]

When I say that the close embrace and the lack of space to dance could be
limiting . I am talking "limiting" with respect to all the figures that can
be done in open embrace.

Figures these last ones that may not interest a great many dancers. Who
prefer of are obligated to adopt a close embrace form, style that also
offers all sort of possibilities and occasions to improvise and to play with
the music.

We do not imply then that canyengue or miolonguero are "limited" styles in
any way or form.

Tango is so rich that every style has a lot to offer to any type of dancer.

There could be styles that are uninteresting and do not develop;  the styles
that become popular fill a need in the imagination of the dancers who become
enthusiastic enough to learn them and to all to their infinite number of
possibilities.

I have repeated about one million times that one style is not superior or
inferior to any other. Actually a particular style is the best for those
that like it.

IMO to know several styles of just only one is again a question of personal
preference.

One can be perfectly happy going to a particular club and dance always the
same style, the same steps. Others may like variation and for that reason go
to different clubs and dance different styles.

It is sad to hear the ladies say to you, I am glad you came because you
dance different.  During you absence I always dance with the same four or
five guys, they always repeat the same moves, I almost know what is coming
next. After awhile it gets sooo boring!.

So the important thing is not to be able to dance different style but to be
able to dance tango changing the dynamics, according to feeling, music and
partner and also to improvise in different ways rather then always repeat
the same five or six moves till the last day of your life.

May you all be able to dance with different dynamic moods and improvising in
many different ways.

Best regards, Sergio

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