Re: [TANGO-L] Feminine singers --not for milongas

[Kos.Zahariev @EC.GC.CA]

Alberto Gesualdi wrote:

 >If you follow the evolution of Fiorentino or  Angel Vargas, you perceive
 >that this guys sung quite bad on their beginning and later improve to a
 >marvelous singing , but this is not casual because it is within the orchestra
 >where they are learning ;

Hi Alberto,

I am curious for some examples, if you could give a couple of examples of
songs that were interpreted that way, for both Vargas and
Fiorentino. Hopefully I would have them to listen to and make the comparison
for myself and see if I hear any difference...and learn something :-)


 >
 >So the question remains, wether the orchestras will play for people to dance
 >or not , it will be interesting to know other comments at the list


What happened to "Los Reyes Del Tango" (they seem to be nine people - 4
bandoneons, 3 violins, piano and contrabajo)? Do they have new CDs, and do
they still play for people to dance (if it is D'Arienzo style)?

Best regards,
         Konstantin