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Digest from 22 Jun 2000 to 23 Jun 2000





Reply-To: Discussion of Any Aspect of the Argentine Tango          <TANGO-L  @MITVMA.MIT.EDU>
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Date:     Fri, 23 Jun 2000 03:00:39 -0400
Sender: Discussion of Any Aspect of the Argentine Tango          <TANGO-L  @MITVMA.MIT.EDU>
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Subject:  TANGO-L Digest - 22 Jun 2000 to 23 Jun 2000 (#2000-171)

There are 6 messages totalling 220 lines in this issue. Topics of the day: 1. Let's clarify "mass immigration" and not freak out 2. Tango and immigration 3. Finally, reality. 4. women in classes 5. My take on everything. 6. Practice, practice


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Date: Thu, 22 Jun 2000 10:12:33 +0200 From: Natarajan Balasundara <rajan @EMC.COM> Subject: Re: Let's clarify "mass immigration" and not freak out Jack Karako wrote: > What is then being human? If not education, professionalism (productive work), sophistication (growth) ? Empathy. But if that is not sufficient an answer, there are several sites that will come up if one looks up 'being+human' one of which is: http://www.encyclopedia.com/articles/06135.html rajan.


Date: Wed, 21 Jun 2000 15:50:48 -0400 From: SERGIO <SERGIO @NCINTER.NET> Subject: Tango and immigration During the period that goes from the defeat of Napoleon 1815 till the beginning of WW1 1914, approximately 60 million people emigrated from Europe. Half of them came to the USA (30,000,000) the other half emigrated to the rest of the world, primarily Australia, Argentina, Canada and the rest of the American Continent. Most of those immigrants came from rural areas of Europe, the exception were the criminal and mentally ill, systematically shipped by England to her colonies and the ones emigrating due to political or religious persecution. Immigrants entered Argentina following two main doors the land boundaries crossed by people from South America and the port of Buenos Aires, entry of those coming from Europe. The South American flow never stopped, still continues, thousand of people cross the borders every month. The largest groups come from Bolivia, Paraguay and Peru. There are large communities from Chile, Uruguay and in a lesser degree from Brazil, Dominican Republic, etc. The Europeans continued to immigrate till 1955. It is interesting to notice that most of the immigrants that arrived after WW2 were highly educated coming from Northern Italy, Germany, Yugoslavia and other countries. More recently the immigrants originate in Taiwan, Korea, Eastern Europe, Ukraine and Russia. The majority are highly educated as well or dedicate themselves to commercial activities. Also from Western Europe and the USA, coming due to their occupation in the global economy. Argentina considers itself to be blessed to receive and have the chance to embrace as brothers all the people of the world that honor the country by coming. They are a continuous source of energy and contributions at all levels of activity and studies. The Italians have made the biggest contribution to the creation and development of the Argentine Tango. The trios ( bands formed by three musicians) were usually southern Italians. Santo Discepolo, father of Enrique Santos and Armando, arrived in 1872, he was director of the Municipal and Police bands, he also wrote several tangos. Sons of Italians were Vicente Greco, Pascual Contursi, Alfredo Bevilacqua, Ernesto Ponzio, Augusto Berto, Roberto Firpo, Alberto Spatola, Juan Maglio, Samuel Castriota, Arturo de Bassi, Francisco Lomuto, Francisco Canaro, Sebastian Piana and the brothers Francisco and Julio de Caro. Born in Italy were among many others, Modesto Papavero,(wrote Leguisamo solo), the singers, Alberto Marino (Verona), Alberto Moran (Streve), teh Poet Julian Centeya author of "La vi llegar", and several tango books (Parma). My maternal grand parents came from Gent, Belgium, my paternal grand parents came from Florence Italy. I feel very proud.


Date: Tue, 20 Jun 2000 20:58:56 -0700 From: Deborah Holm <deborah.holm @PRODIGY.NET> Subject: Finally, reality. I think the people who monitor this list must be incredibly wonderful people. Can you imagine? I was hoping to get off for free and just sit back and watch for awhile, BUT NOOOOOOOOOOOOOOOOOOO. Jason Laughlin and Lois Donnay need some answers from me. When women constantly post to the list about their problems with not being asked to dance in a milonga where there are too many women, it is found out that many of these women do not go to classes or workshops. I have received emails from women who do go to classes and workshops and confirm to me that they make the friends who will ask them to dance at the milongas when they go to classes and workshops. Sorry, a little bit of effort goes a long ways. I guess the men really do put the effort in, but the women don't. I guess the women just show up for the milongas and EXPECT. Apparently they expect alot. Apparently, they expect everything. In fact, when they go to Buenos Aires, they also expect sex and this has led to an evolution about the attitudes of men in Latin America about these women. WHATEVER! Like I said, I guess the men do put the effort in. Problem is, the kind of men working their butts off to learn this social dance of Argentine Tango are the kind of guys that these women don't want to dance with. What do you make of that? Deborah B.A. Tango


Date: Tue, 20 Jun 2000 13:48:58 -0500 From: mlips <mlips @PANGEA.CA> Subject: Re: women in classes I have been very interested in this new thread starting re: women in classes. We are a relatively young tango community, but here also the men seem to greatly outnumber the women. The women who do begin classes attend very sporadically, and are not nearly as dedicated as the men. As a result, I can honestly say that few of them improve in their following techniques. They also do not attend regular practicas, but do come to the Milongas and want to dance. We have unsuccessfully tried a number of things and to this point, the men have been very good at acting as followers. However, i think they are finally getting a little discouraged as it is difficult to lead ladies that cannot follow. We are now in the process of setting up a follower's class and are really encouraging the ladies to attend. I would appreciate hearing about ideas other communities have tried that have similar problems. Marie


Date: Wed, 21 Jun 2000 22:45:05 -0700 From: Deborah Holm <deborah.holm @PRODIGY.NET> Subject: My take on everything. If the people that monitor the Tango-L choose to not post my message, I am totally in agreement. In the past few weeks I have read everything that has been posted on the list. I am a female. I live in San Francisco, California, in North America. Since the beginning of my involvement in Argentine Tango (where I was brought to the big annual Tango By The Bay ball here) I have always had the greatest respect for this community-based dance (art) form. I went to Buenos Aires last year. Not alone, but with a woman who is my friend in this endeavor of being involved in Argentine Tango. In preparation for this trip I said to my friend that Argentina is not a country that is adjacent to the border of the USA, like Mexico. I told my friend that we were looking at a country far away, a country with a history of a revolving door of dictatorships . ("Mean" to the people being an understatement.) We went to Buenos Aires not knowing what was going to happen to us, but we had an incredible time regardless. We were two single women travelling alone abroad. We knew that we had to be careful (as two women travelling alone.) We ended up having a very safe and wonderful experience. Deborah B.A. Tangoi


Date: Thu, 22 Jun 2000 15:23:03 EDT From: Charles Roques <Crrtango @AOL.COM> Subject: Practice, practice Greetings, Although one would think that it would sink in by now it obviously doesn't. As was brought up in a recent post, many women complain about not being asked to dance but yet will not go to practices. It is practically redundant by now but if you don't practice you will not improve and those that practice the most will improve. Too many people underestimate how difficult tango is, especially the walking, because when it is done well it looks easy. It takes months, if not years, to refine your walking and execution of steps, not a few days. But if you practice you will improve day by day. Tango is not about steps, it is about how you move through those steps. There are plenty of lousy dancers who know many steps. Don't be impatient about dancing, be disciplined and focused. Everybody wants to dance tango but nobody wants to put in the effort to learn it well. As an instructor I will ask beginners and recent dancers to dance but will not continue if they don't improve and you will improve if you practice. So don't blame us guys for not asking you to dance. And the crazy part is that most practices are free. You pay for the classes and you pay for the dances but don't attend the free practices. Go figure. If it were that easy it wouldn't be such a beautiful dance. This goes equally as well for the leaders. Women are not going to want to dance with you if you don't improve. Classes only introduce you to the form, you have to teach yourself how to do it well. Cheers, Charles


End of TANGO-L Digest - 22 Jun 2000 to 23 Jun 2000 (#2000-171) **************************************************************