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Re: [TANGO-L] Tango Nuevo and Argentine Tango. What is the difference?



Christopher, your point in comparing Petroleo to Gustavo Naviera and Fabian
Salas is very much valid.

Just like Petroleo reinvented steps in response to new rhythm of tango music
of the 40s (according to the article
http://www.planet-tango.com/elfiru/petroleo.htm), Nuevo Tango looks natural
to less rhythmic music, which traditional dancers consider to be music for
listening - because it does not feel right for dancing in the traditional
style - they feel uncomfortable changing the rhythm of their steps, I guess.

Personally I enjoy dancing in close embrace to less rhythmic music be it
Milonga del angel or Nina Simone as much as to tangos with more obvious
rhythm and do not see any need to dance Nuevo to this music. The dance looks
and feels much calmer/different from the one I dance to traditional tangos.

Of course there is no need to adjust traditional style to rhythmic alt
tangos (Tango in Harlem, Paolo Conte).

Nuevo Tango to D'Arienzo? I think not.


Cheers, Oleh K. http://TangoSpring.com


From: "Christopher L. Everett" <ceverett   @CEVERETT.COM>
Reply-To: "Christopher L. Everett" <ceverett   @CEVERETT.COM>
To: TANGO-L   @MITVMA.MIT.EDU
Subject: Re: [TANGO-L] Tango Nuevo and Argentine Tango. What is the
difference?
Date: Thu, 6 Jan 2005 20:10:01 -0600

Oleh Kovalchuke wrote:

From an interesting article comparing Argentine tango and Nuevo tango by
Igor Polk in San Francisco:

In my point of view these are very different. First of all Tango Nuevo is
created by Gustavo Naviera and Fabian Salas. They openly proclaim their
authorship. The story is there, you can find it on Internet.

I wonder what traditionalists who learned tango in the 20's and 30's had to say about a guy like Petroleo, who invented boleos, giros, arastres and piques.

I like Tango
Nuevo. I learn and dance it. It is fun and good exercise. But I do not
like
when Tango Nuevo is called Argentine Tango. It is not. Something is
missed
in this extract called Tango Nuevo. For now I just say that the
difference
between Tango Nuevo and Argentine Tango is the same like the difference
between frozen microwave food and mom's dinner. Like between Sprite and
Champaign. Like between root beer and Beck's.

De gustibus non dispudandum.


Although if he can have mom's dinner, Beck's and Champagne but
pursues frozen microwave food, sprite and root beer, perhaps we
should add a side dish of "He doth protest too much" to the menu.

Nobody can say that Tchaikovsky ballet dances are real russian or persian
dances, right?

Nobody would even think it. But the comparison does not hold true. After all, ballet did not evolve from Russian or Persian (or even French) folk dance, but Nuevo Tango most surely did evolve from Salon Tango.

But somehow people think that show tango is what the real tango is.

"Nuevo Tango" the same as "Show Tango"? I think not. He makes a logical fallacy there. Before Fabian Salas and Gustavo Naveira began developing Nuevo, thye were both accomplished in the Salon style of tango.

Read on at: http://www.virtuar.com/tango/tango_weblog.htm#tangonuevo

Compare and contrast what he has to say with this article on Petroleo, a tango innovator of the 40's:

http://www.planet-tango.com/elfiru/petroleo.htm

<snip to end>

To me, Igor disregards the difference between models (or ways of
examining) of Tango and theories of Tango.  While a Grand Unified
Theory of Tango which can describe every possibility good-to-great
Tango dancers can generate has yet to manifest, the Nuevo model of
Tango as a turning dance has neither less nor more validity than
the older model of tango as a walking dance.

No astronomer would would say that optical telescopes more accurately
describe the universe than a radio telescope.  They simply examine
different aspects of the same thing.

--
Christopher L. Everett

Chief Technology Officer                               www.medbanner.com
MedBanner, Inc.                                          www.physemp.com

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